Monday, 14 March 2011

Warning: Cyber-flu does exist and might be contained in this blog!

It has all been a bit quiet on the blog front, various reasons for this, some of which are very exciting and music related (stay tuned!) but partly due to me being smashed in the face by the most ridiculous case of man-flu ever!

The recent gig we done on Feb 25th went down a treat, proper fantastic line-up and met a host of really nice people.  The full gig review can be found over at LMLiveMusic’s main hub.

More gig planning has ensued since then, with various dates now set in stone, a mini tour for two local bands The Hostages and Kill it with Fire, pure acoustic nights, metal nights not to mention July 30ths all day festival of music “Rock the Park” taking place, somewhat aptly, at The Rock Park Spa.  So yeah, lots happening even if my cyber-blogging of such things has been somewhat non-existent due to the effects of flu!!

I'd also like to take a moment to mention all those who have been affected by the Japan tsunami and earthquake.  My thoughts are with you.  I can’t even imagine the pain the county is feeling at the moment. I’ve always had a vested interest in Japan, it’s a county I’ve loved reading the culture and history of, not to mention I would often spend many nights merely watching NHK and the programs featured, it always seemed like a such a beautiful place full of so much love, for them to have to deal with this is horrid and I just hope the support they need at this time comes their way, and fast.

Currently listening to: The xx - Intro (for the 5millionth time this month!)

Monday, 21 February 2011

LMLiveMusic: Farewell Mid Wales Music Scene...hello LMLiveMusic.



We had a fun time in Mid Wales doing gigs under the banner of Mid Wales Music Scene, so many bands, so many gigs!  And yes, whilst having a specific promotional tool for artists in the area was fantastic and we made a great deal of friends and contacts whilst doing it (and personally I’d like to hope helped some local musicians in some way), MWMS did come across a stumbling block when it wanted to expand and spread its wings.  Thus the tough decision was made to wind-up MWMS as it stood, that which had severed us so fantastically well for over 5years, and try to broaden the potential of the promotional aspect of things somewhat.  

I took my own sabbatical from promoting whilst I mused which direction to take things, and after initially coming-up with a vastly optimistic business plan that will take years to create (and some serious financial clout!), the realisation hit me that I needed to start from square one, scale things back to the barebones and focus on what it was that made me fall in love with music and promoting.  And this time do things right from the start.

Soul-searching ensued, and now like a phoenix rising from the ashes, LMLiveMusic will become the new conduit, still focusing its efforts on those traits that made MWMS so successful, but also being able to offer a promotional slant across borders should it wish to do so. 

We're in our early workings, still hosting gigs, blogging and all the things MWMS done, but over a period of time things will expand and eventually LMLiveMusic will offer something diverse to the vastness of UK Underground Music Scene. 

We pledge to be impartial and opinionated connoisseurs of music.
We pledge to offer support to up-and-coming musicians.
We pledge to remain true to raw, live, underground British music.
We pledge to be our own visionaries, crafting our own future, our own legacy and making our own unique mark.

Currently listening to:
Art Brut - What a Rush

Sunday, 13 February 2011

The snobbery within music - a rather narrow-minded form of artistic elitism?

So here I am, musing away merrily reading some news online with varying genres of music banging my eardrums via Spotify shuffle, when I catch a glimpse of a trailer for the new Justin Bieber movie (no, I wasn’t googling Justin Bieber, it was one of those random adverts you get appearing in every corner of your browser as you visit websites).  Anyway, the lad’s gone 3D in his new autobiographical film “Never say Never”, joyous!  Moreover the film actually has the audacity to include the quote “they said it would never happen.” Insinuating that somehow producing generic music sung by an “attractive” teenage boy targeted at adolescent females wouldn’t make the boy insanely famous, sell millions of singles, gig tickets and now apparently popcorn and DVDs.  The movie even gets released on the quintessential day of retail created consumerism, that of Saint Valentines, in an hours time, how very fitting!  

But seriously, a boy whose signature was subject to a bidding war between Usher’s production venture and Justin Timberlake, was a manufactured pop star millionaire selling records galore before the age 16, but alas “they said it would never happen!” who, out of curiosity?  Believe it or not I actually decided to watch the trailer, and honest to god that was purely down to a one-off moment of inquisitiveness and apparent journalistic curiosity!  Granted, the trailer is edited well, as you’d expect, but the lad does have musical talent, when you see the raw “pre-mainstream Justin Bieber” footage it is interesting viewing, there, I said it!

The reason I decided to focus a little of this blog on Justin Bieber rather than any other of the millions of manufactured pop stars that have been churned out isn’t the want to victimise a lad still a teenager!  It is merely a combination of chance and the fact he probably creates the most contention in the world of music at the moment.  For example his video Baby is currently the most viewed (a staggering 461,557,486 views at time of blogging!) most discussed AND the most disliked (935,302 dislikes) video on YouTube.  To be honest by the chance of commercialised spam he seems to have inadvertently become the perfect candidate to pick! (To note, the video also has a total of 488,438 likes.)

The whole sequences of events leading to me listening to Justin Bieber tracks certainly got me thinking (yes it does happen sometimes) maybe I could try to find a definition that could definitively “define” the art of music in some way, to justifiably include even the likes of Justin Bieber.  The reason I wanted to do this is somebody like my man JB, who is the current epitome of a manufactured artist, surely he does have a place in the music world even to snobs like myself?  I decided to search various dictionaries for said definition and I stumbled across this permutation which really struck me and set my brain into overdrive.

Music: vocal or instrumental sounds (or both) combined in such a way as to produce beauty of form

That sentence seemed incredibly intrinsic, to me epitomising music, it is a generic sentence, can cover all genres, all forms, but most importantly all abilities of the art.  And equally significantly it focuses on that which truly should be the sole denominator of music, the beauty of the sound.  If you can find some form of beauty in what you’re hearing, then it can justify the label “music”, but most importantly the joy you find in what you’re hearing doesn’t necessarily have to be a joy shared by others. 

Like all forms of art, the beauty which you see, hear or feel is entirely in the eye of the beholder.

I’ve made no secret in the past of my detestation towards manufactured music, where a band or singer gets fame, notoriety and recognition not exclusively for musical talent but via some other means.  Often said musicians aren’t even the writers of the music they perform, such a massive part of music for me personally.  Similar levels of loathing I find myself feeling towards a band or musician that conforms to some form of stereotype away from music, because that is the genre that they have been pigeonholed into somewhere along their musical career or life.  The above three sentences is the current mainstream music industry epitomised to me, but that doesn’t mean I don’t entirely hate it and it certainly doesn’t mean that those people aren’t justifiable musicians.

One of the things that hit me recently and almost belies that which I’ve written before in this very same blog, is that music, as a form of art, creativity and as a means of humankind expressing themselves, is so much deeper than that part you hear.  Music  really does fill a void in so many people’s lives.  I have no idea what I’d do if it weren’t for my love of music, listening to bands and musicians from all walks of life, from all over the world, a centuries old backcatalogue of creativity.  There is never a moment when I can’t find a song that doesn’t twang an emotional cord so entirely perfectly that it feels like it was written just for me.  Granted to date I’ve not found this solace in anything Justin Bieber has performed, but you never know!

I’ve always listened to, and been opinionated, about music right throughout my life, I’ve seen bands come and go, musicians likewise.  My personal tastes change over time, sometimes from one day to the next, but one thing that always holds true not only to me but to billions of people around the world, is as soon as these performers get heard, and their music produces a moment of beauty in the eye of anybody who experienced it, then their art is suddenly elevated to levels of immortality.  The same kind of everlasting glory that is bestowed upon any artist that gets their creation published in any form.

To emphasise this notion it’s interesting to point out that being a lad on the verge of turning 28 (somewhat mockingly the same day Justin Bieber releases his movie on the day of Saint Valentines), I never had the privilege of being in a crowd listening to The Beatles live, but my father introduced me to the joys of their recorded sound as a child.  I have an opinion on this creativity that occurred decades earlier based solely on what I hear, and I compare the sound to what is about now when I surmise those opinions.  But unlike my father the entire Beatles “image” wasn’t something I experienced, and I judged merely on the music I heard.  Much the same way I can have a view on a band I hear live today merging image, sound and presence, or have a view on them based solely on their recordings.  One thing I always do when airing my opinions on a musician, is ensure that if I have heard them live, I will include areas of that which impressed, and the same way when hearing recordings, things standout, both of these facets of music are equally real and both can produce entirely differing forms of beauty and without question both can be opinionated on by anybody.

Taking this thought process even further, there are bands I’ve seen progress locally, and nationally after hearing them at festivals or gigs, and you see the evolution of their sound and compare recordings to live performances.  One of the very few things that differs music from other mediums of creativity is a song, first sung 5years ago, can conjure entirely differing emotions by the way it’s performed at any given occasion, by the same musicians, many years later.  The sound develops; it changes, it’s performed many different ways and is a song producing varying forms of beauty each time you hear it.  It can cause you to reminisce, ease pain, make you feel joy, empathy, an entire plethora of emotions which can contrast greatly.

A painting is always the same; once the paint dries it doesn’t change.  A person’s perception of it might, but the painting remains the same.  Words, like the ones I write now, once I hit publish, never change.  Once they are there, that is the creativeness of that medium of art set in stone.  Music is one of the very few art forms where the piece created can develop yet at the same time be preserved in a moment of immortality by a recording.

Going back to my views on music and in particular the person who will buy a record because it’s a certain artist, regardless of its sound.  The band who sell millions of records because they are 4 attractive men with Irish accents that sing, in my opinion, a song with the same content over and over with varying lyrics but mostly telling exactly the same message.   The 16year-old Canadian boy that released a debut single which went platinum in the US and Canada because of their image just as much, if not infinity more, than the sound.  I’m sure even those people, the facet of the music industry I’ve always frowned upon, produce beauty in the eye of the beholder somewhere out there.  Just because it’s not something I appreciate, doesn’t mean it’s not also a just form of music.

Over the last three weeks alone I’ve seen many bands and musicians live, all from differing genres, yet each one has had something innately beautiful about them.  I can come back and enjoy bands from decades ago, find some comfort in what I hear, then on a weekend enjoy a cider or two and appreciate another dimension of the music industry.

I’m fortunate that one of the joys I get from life has such a wide scope, a vastness I’ll never ever be able to fully appreciate.  Live, recorded, hummed, whistled, sung incredibly badly and out of tune?  Music is a form of artistic beauty that does suffer from narrow-minded elitism, it’s opinionated, but as long as somebody finds joy in what they hear then one song is just as viable as another, one musician just as appreciated as the next, because each individual person has their view and opinion.  Yes the combined voice of the masses is often heard loudest, but there are always lone voices that can grab a megaphone and rise above that of the million screaming Justin Bieber teenettes!

Just listened to: Justin Bieber, One Time (purely for research purposes!)
Currently listening to: The Debut – Fools Gold (video released 13/2/2011)

Wednesday, 9 February 2011

Calling all budding entrepreneurs, I’ve got an idea to make you a millionaire!



So here goes the story which sparked my idea (that for some reason I’ve decided to share with you, maybe some kind of commission might come my way?).  Basically today I got myself a new set of headphones, nothing special and certainly nothing worth blogging about.  These were the first pair I came across, £18 and are made by the epic brand “Lenco”, they are the HEP-100’s, bog standard, but do the job.  That said I’d certainly not encourage you to rush out and buy a pair, unless you have the same concerns I do and have spotted an obvious failing here, where expenditure pays very little role in longevity when it comes to headphones….

My last pair cost me £70, they were pretty mint I must admit, I actually hunted them down, they are rated as some of the best around, the Sennheiser PX200-II gave pretty epic sound quality, were nice and compact and done the job of yelling to the world “I’m listening to music.  I’m not ignoring you.  I’m not ignorant.  I’m just listening to music.  I’ll talk to you when I’m good and ready.” They certainly did that job well, they gave unprecedented noise cancellation, you really could immerse yourself into your own world where you are the DJ and nobody is going to tell you what to play, not even NME!

Anyway, I’m starting to blog about brands of headphones, and even took a sideswipe at NME…not the aim, I’ll move on.  

Back to the initial reason for this entry to LMLiveMusic’s blogasphere.  Does anybody else have that reoccurring problem of their headphones gradually breaking?  The wire at the very base of the connection fraying, hidden away within that plastic “protection” thus out of sight, but overtime said headphones will merely cease to function.  I always assumed it was because I am the epitome of thrift and purchased cheapish ones, but when this same problem happened on my expensive and extensively researched pair, I got concerned that the issue wasn’t the size of my initial outlay but fouler deeds were afoot. 

This is how events normally transgress.

(1) Headphones start to crackle, this usually occurs at around 2/3months of extensive use.
(2) One earpiece goes entirely, so they become monophones or something of that ilk.  Sound through only one earpiece, total nightmare, almost makes you want to walk in a circle to get closer to the sound, entirely distracting, tinnitus-like.  Normally after 4months this phase would appear.
(3) That last remaining, working, earpiece starts crackling and you’re left with terrible quality through just one ear, like you’re listening to music with your ear pressed to a wall and a jiffy bag over your head, but it’s music, your chosen music…just.  At best this can go on until around the 6month lifespan.
(4) Then, suddenly, nothing….silence, the sounds of the world heard in all their excruciating glory.  You look to the screen of your *insert portable music device name here, where your *insert chosen artist + track here ticks along merrily, mockingly…but the ensuing blandness in your ear makes time stand still.

This last transition into complete engineering dysfunction often leaves me frustrated, a lovely condition set of headphones, with a little frayed wire hidden away out of site and a product producing no sound.  I did enquire about a repair job on my latest pair, but apparently it wasn’t “worth the effort”.  He went on to add “it’ll just happen again, it always happens to headphones, you need a 90degree connection, I’ve heard that can help a little.”  That’s interesting, a well respected electrician inadvertently letting me in on a secret of the trade.  Headphones, much like washing machines are designed to gradually “erode” parts away, the manufacturers want you to upgrade to the new model and buy replacements.  There is even a technical term for it “built-in obsolescence”, companies actually invest money into the design procedure to do this. 

Maybe it’s my ever suspicious mind going way overboard, that this practice is actually occurring in headphone manufacturing but it doesn’t take away from the fact headphones need increased sturdiness added, especially on one key area, the connection zone. I mean this product we use is made for the outside, when we’re on the move, being active, yet they break easier than my morning egg.  Moreover and maybe more importantly, despite the price you pay, the lifespan is the same, you only get a few months of unadulterated musical bliss even if you go for the top brands, thereafter they really are much of a muchness.

So, to all budding entrepreneurs who might have stumbled upon this entry, I can give you a starting point.  I hear the key lies in a 90degree connection, go create an indestructible set of headphones, or even a device to aide strength to the obvious area of planned obsolescence I’ve clearly proved exists in headphones, I do believe you’d make yourself millions even if it’s merely as a payoff for the patent by the daddies of the headphone manufacturing world!  Lenco, Sennheiser and all the others.  What you gonna do? LMLiveMusic are coming for you…. and to entrepreneurs who've been reading, lest you forget who inspired you, this blog is here to stay, and the commission really will be gratefully received.

 
Currently listening to: Finch – Letters to You

Wednesday, 2 February 2011

The Hostages: BAND REVIEW


The Hostages are a band that have had a solid fan base and reputation in Mid Wales for years, they are forbearers of the Mid Wales music scene, always packing out local venues and producing memorable shows. 

A select few who have had the privilege of listening to the band progress over the last 5years knew these guys were special, but secretly they wanted to keep them all to themselves.  These same people have seen the line-up change as the band have developed with each member past and present adding something unique to the overall result that we’re left with. The Hostages version 2.0 comprise of founder, singer and guitarist Tom Jones (TJ) and bass guitarist Jimmi Love and they have added drummer Dean Morgan and the vastly talented lead guitarist Matt Lodge to the line-up and they are, without doubt, about to break free from Mid Wales and hit the big time!

The band has always revolved around a catchy, grunge-laced, indie sound, with influences to their tracks clearly coming from greats such as Kings of Leon and Kasabian, the rock edge that emanates from several of their releases bares resemblances to the likes of Biffy Clyro and it comes as no surprise to me that The Beatles and John Lennon are regarded as influences because The Hostages’ song writing has always been at the forefront of their ability to turn a collection of good musicians into bearers of great songs!  Their competence at performing that which they write is a rare skill not often found in ones still so young!

One of the bands earliest songs that has stood the test of time is You Should Really Know, it’s evolved over the years into the version that is found on their debut EP, Last Chance for The Hostages, but even alongside newer tracks such as Shoot My Heart it merely epitomises the “we want you to be part of this song” ethos that can be found right throughout the EP, and in the vast majority of The Hostages’ repertoire of songs to date. 

It’s also been a joy to see the latest progression in TJ’s lyrical maturity which is emphasised on another new song, Rolling Circus.  The boyish undertones have well and truly vanished, left now is a jagged indie maturity which is reflected by all in the band.  In fact this song highlights several of the best parts of The Hostages version 2.0.  An insanely catchy song, in truth played at times at an unusually fast tempo almost like early pop punk rockers Allister used to deliver, but The Hostages give pure grunge plain and simple, and on a personal note I can’t wait to hear this live!

A key part to their success is getting fans relating to their music, but there is something very special about their sound right about now.  Most notable are stunningly good guitar riffs that blow the mind, without question up there with the greatest, a bass guitarist that doesn’t hide in the shadows but rather creates them by offering a massive presence on stage and drumming of the highest order from one of the most skilled drummers in the area.  Collectively they form a captivating crescendo that gets you jigging along to their songs, even if you have never heard them before, or are hearing new material for the first time, there is something innately familiar about their sound, you feel like you’ve heard it before, you recognise it, you get drawn into the moment, you just have to dance, sing, cheer!!

With the enigmatic “Mr.Hostages” TJ at the helm, the band have polished their rugged edges, grown far tighter as a unit and now shine brightly as one single entity.   They give an aura that captivates, produce a sound that is a joy to the ears and have the image to accompany this.  They are at their best live, where they engage with whatever demographic stands before them.  Right about now The Hostages have the world at their feet, their fan base is growing and baying for more, I’ve got a sneaky suspicion they are about to burst onto the national music scene and it’s not before time.  It’s been a joy to see the band develop over the years, for such a hardworking bunch of fellas they have never lost touch with what it was that got the fans behind them. 

The only downside to their impending explosion onto the UK music scene, the fans of Mid Wales, who see The Hostages as “theirs”, are about to lose their jewel.  But in truth not a single one begrudges the band success.  I for one have always been astounded by their dedication to play gigs, and to put on an energetic show, it’s the true stand-out quality that has pulled The Hostages into the limelight, and in my opinion this coupled with their ability, creativeness and togetherness gives this extremely talented quartet the foundations to build a stunningly successful music career.  If they keep progressing at their current rate, there is no limit to where they will end-up.

They have come from Mid Wales and are here to entertain you, get ready to rock, as The Hostages are about to break free ....

Reviewed 11/11/2010 by Kev "Kevchenko" Martin
(official blogger for Live Music? Live Music!)

The Joys of Promoting...

One thing I forgot whilst taking my sabbatical from organising gigs is the stress they can bring, bands pulling out of shows is a pretty stressful thing (although at least it happened a few days before I printed flyers which makes a change)!  Now I have time to rearrange line-up and adjust the angle of the promotional splurge.  Already got a few bands on standby with a really funky one from Newport potentially confirming tonight if they can play…watch this space ;-)

On a plus side another thing this highlighted is the true joy of putting on a show, and that is how all the people who attend the gigs or have any interest in the night pull together when things like this happen, offering support, sending links galore to alternative bands, as well as messages of support.  It actually makes me wonder if some of the best gigs I’ve promoted are the ones that always seem like they are about to descend into chaos. 

It wasn’t that long ago we had the PA pullout no less than 3hours before a show; I was actually playing football in Rhosgoch at the time and found out at halftime.  Lucky Eduardo was with me and we happened to be fairly close to Hereford, which seemed the most plausible location to find alternative PA arrangements (after exhausting all local possibilities of course).  So off we shot and managed to find a charming fellow willing to do the PA, he only asked a fee of £500!  That’s right, half a grand!  Obviously that was way over our budget, but after some haggling, and informing him of the details of the gig etc (this was the Monty! I think he assumed we were talking about a Wembley’esque venue here!) we managed to get him down to £300 for lighting and PA!  We lugged the majority of his gear in Eduardo’s Vauxhall Astra, and he arrives about 20mins before show is due to start with the rest….

…now at this point I was panicking galore, it was Oneyeopen’s album launch party, and I was dreading things were going to go terrible!  We had Graham grumbling about people smoking, and he actually made me go on mic and “appeal” that people stop.  Not to mention his grumbling should we go on beyond 11pm, people breaking the odd glass etc.  That’s right, we get 150/200ish people to his pub that’d normally have 2people in it, he’d charge us for using the venue, grumble all night and not so much as say thank you, ever….man the joys of hosting a show at the Monty!!

So yeah anyway, I’ll give the PA guy his due, it was an epic set-up, amazing lighting, lazers, sound was epic, smoke machines and he even brought a mate that done the stage-managing for me (I was free to drink cider galore, good times!).  People started arriving, and kept arriving…and kept arriving!  The first gig we done where we actually had to stop people coming in as the venue was full! (Although I should add, the next Acoustic Night we hosted the same thing happened if not even worse!  New PA guy Geoff Greaves’ inaugural gig I do believe).

So yeah, I suppose the moral is to keep faith, if you have people supporting you like the Mid Wales music lovers do, a show is never going to be anything other than epic and I’m sure Feb 25th will be another gig just like that, regardless of who fills the recently vacated slot.

Xxx

Currently listening to: Jack’s Mannequin – Bruised (acoustic)

Tuesday, 1 February 2011

The Hostages & Zebedy Rays Videos: Performing @ Feb 25th Gig 2011

The Hostages & Zebedy Rays are about to light up Mid Wales when they join forces with Loose Cannons and the sexy Kill it with Fire.

Venue: The Hampton (Llandrindod Wells) LD1 5HS
Date: Friday Feb 25th 2011
Time: Doors@7 Music@8
Line-up: Loose Cannons, The Hostages, Zebedy Rays, Kill it with Fire
Cost: £3 on the door (£2 with discount flyer)

The Zebedy Rays: John Esli Davies.....


The Hostages: A Part of Me.....